In rehearsals for Pride and Prejudice we are getting deeper into the subtext of some of the scenes, and the subtleties of emotion that characters such as Jane and Elizabeth Bennet show.
If you’re playing a character that is larger than life, and some of those in my familiar treading ground of Shakespeare are almost caricatures, it’s quite easy to project your character’s feelings, thoughts and opinions out into an audience of hundreds. If you’re playing a truthful and at times very subtle character such as Lizzie Bennet, that’s where the challenge comes in.
I think the key element of acting is communication – with your audience, and with the other actors (and therefore characters) on stage. If you don’t communicate effectively with your audience, you may as well be all alone in that theatre.
In a play there is a story, and in each scene there is a part of that story that you are trying to tell the audience. Lizzie’s feelings and emotional responses to what’s going on around her are so important to the overall story, it’s vital that I communicate these to the audience. But how do you show all this without it becoming pantomime?
I’m afraid this isn’t actually leading up to an answer to that question, as I don’t yet have one. In the rehearsal room my director has said she’s enjoying watching the subtext play out through my eyes and facial expressions, but will the audience also see this when we’re in the Kings Theatre, and they’re up in the dress circle?
With stolen glances and subtle nods a-plenty, Pride and Prejudice lends itself perfectly to the flexibility and intimacy afforded by film, but how will this play out on the stage? Will they notice the faint flicker in my eye as contempt turns to love, or will it be lost in the vast space of the auditorium? Perhaps just as crucial, will my contact lenses attempt to pop out as they like to every now and then when I’m doing a bit of ‘eye acting’?
You’ll have to come and see the show to find out! You can buy tickets online or call 023 9282 8282. Pride and Prejudice, performed by One Off Productions, runs from Wed 26-Sat 29 March (evenings 7.30pm, Wed and Sat matinee 2.30pm) at the Kings Theatre, Southsea.