I’ve just had my first experience of devising a piece of theatre from scratch for my MAP (MA Project). Well, not from complete zilch. In the beginning there was an idea, but then there is always an idea – it’s what you do with it that counts.
What we did with our idea was take it from a chaotic collection of philosophical musings, through the focus of a question emerging from all this, to end up with a family on a caravan holiday who encounter The Void. Yes, it was quite a leap, but there were many stepping stones on the way – not all in the same direction, but I feel our meandering exploration took us on a very human journey that directly informed the final piece. And what more fitting vehicle to share our explorations than that beacon of western society, the family holiday.
Playing the mum of the family (this is the second time I’ve played a mum in a few months – is this it now I’m in the 25-35 category on Spotlight?!) unexpectedly brought up a lot of old memories of being a little girl. It also went to a place within myself that has awoken this year – a deep place of nurturing and nature and what it is to be a woman and own that womanliness. I certainly hadn’t expected such an experience to come from the devising process, but it just goes to show how involved and invested in the work we as both actors and theatre-makers become.
The devising process was a new adventure for me. Our group of six actors from the MA Acting at East 15 Acting School formed a company and did the whole marketing shebang. We booked rooms and loosely planned rehearsals. We scribbled spider diagrams on the whiteboard, bruised our knees choreographing movement pieces, and pondered our reality. Our question: to what extent do we create our own reality?
We drank coffee and discussed religion, we rolled around on the grass exploring mother-daughter relationships through contact improvisation, we went to the woods in character as a family. Improvising was a tool we used a lot to explore our characteristics and discover the family dynamics. One night we had a family sleepover at one of our houses, which was an extended improvisation ending at 10pm and starting up again for breakfast the next morning. It was an important part of our process and produced some important character discoveries, along with a fantastic recipe for bolognese! It was also absolutely knackering – although we’d rested as our characters, in reality we had all been working until 10pm and had very little time to rest as us.
One key lesson I learnt from the devising process was how to work in a group where there is no clear leader and everyone has an equal say. I also put into practise the whole ‘applying the white paint’ process we’ve been developing over the past few months of our training – knowing when to scrap this bit or that bit and knowing which bits to keep.
It’s been an enriching and exciting journey and, with the possibility of our piece having a life beyond the MAPs, one that hopefully isn’t over just yet…