Mime, puppetry and people

Last week was fantastic. I went to my first corporeal mime class, had a puppetry class at Little Angel Theatre, took part in ‘Scene Gym’ at the Old Vic Workrooms and attended a one-person storytelling workshop with Little Angel Theatre’s Artistic Director, Samantha Lane.

The mime class was taught by Vini Carvalho of Fool’s Cap Theatre, and was a pure delight. Inspired by the work of companies such as Theatre Ad Infinitum, I was looking for a good mime class when this one popped up on Facebook! We worked on opposing forces (and got very sweaty), different rhythms and learnt an offering sequence. Corporeal mime, or contemporary mime, can be used to choreograph pieces, and it felt so good to be there in a class, learning the moves and practising them in front of the mirror. That’s my comfort zone, right there! It harked back to my ballet days. Vini’s planning on teaching the class every week so it will be great to make it a regular part of my ongoing training.

In the puppetry class at Little Angel Theatre we explored motion, firstly using puppetry sticks and then going on to having a play with some cloth bunraku-style puppets. The sticks are a great tool for puppeteers to practise movement before going on to try it with the puppet itself. I am so getting me some! (Or failing that I might chop up an old broom handle.) Just always check for splinters beforehand!

Friday’s ‘Scene Gym’ was an absolute joy – a bunch of actors, directors and writers all together in a room getting to play with some brilliant new play texts. But more on that, and yesterday’s storytelling workshop, in the next two posts!

Along with the chance to be creative, what made the week really special were all the interesting people I met and had the chance to be creative with. Being in a room full of people who all want to work together and create something together gives me the biggest buzz. I love meeting new people and finding out their story, and actors in particular are generally so open and engaging. It’s also great to hear what brings non-performers to the room, for example in my puppetry class and the storytelling workshop. It’s the people that are the true joy of an actor’s life.

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