I am currently rehearsing for my first professional puppetry role with Vertebra Theatre, in their show Dark Matter. Rehearsals are well under way and I’m loving getting to grips with both the play and the role of puppeteer as we near our first performance, at Brighton Fringe next week!
The show deals with dementia and how it affects the mind, focusing on the story of Alfie, a former Professor of Astrophysics now living in a care home. There’s also a healthy dose of quantum cognitive theory in there, which has provided a juicy challenge for us to get our heads round.
I animate Alfie’s feet – yes, Alfie is the puppet. Whenever working with a bunraku-style puppet in training I always chose to animate the feet, as I find it a wonderful test of how well you can listen to, and be in tune with, the other two puppeteers. Some schools of thought say you should always focus on the body part that you are animating, so in this case the feet, whereas others would suggest you look up at the body if you are on the feet. With Alfie I tried both, and ended up basically looking at the puppet’s backside and using my peripheral to take in what’s happening with the other body parts. Obviously this means I can’t always see what I’m doing with the feet, but I can get a good sense of what’s happening through touch.
Although I’ve done bits of puppetry in shows before, this is the first time I’m solely a puppeteer throughout the whole show, animating Alfie’s feet for the most part, but also occasionally other objects in the story. During my puppetry training, either at Little Angel Theatre or with Gyre and Gimble, I remember being told that puppetry is painful. The morning after the first rehearsal I certainly agreed with that statement! Two weeks in and my body has got used to the stresses and strains put on particular parts, but there are still some days when my back and knees feel about 60. However, in a strange, sadistic gym-bunny kind of way, I like that it’s hard work physically as well as mentally. I enjoy pushing my body and working it hard, probably from so many years of dance training throughout my childhood.
It’s wonderful, getting to work with such a beautiful puppet. Alfie really is a little old man. The other actors and puppeteers on the project are also fantastic to work with – Douglas Rutter, Aurora Adams and Sofia Calmicova – and I think we make a great team, along with director Mayra Stergiou, writer and producer Eirini Dermitzaki and composer Gregory Emfietzis.
Our first show is next Wednesday 1 June, 4pm at the Rialto Theatre in Brighton, as part of Brighton Fringe. After that we perform at Little Angel Theatre in London on 13 June at 7pm as part of Creativity and Wellbeing Week, then we’re at Edinburgh Fringe from 22 to 26 August, 6.30pm, at Greenside Venues, Olive Theatre. Come and see the show if you can!