My first Edinburgh Fringe

Every year, come August, I’ve had the greatest fear that I was missing out. That’s because every August the whole of theatre land has gone crazy with Fringe fever, while I, stuck in London or Portsmouth or wherever I was at that time, have wished I could be up in Edinburgh where all the fun was.

Well this year, my wish came true. After performances at Brighton Fringe and Little Angel Theatre, (and with a trip to Russia in between), I headed up to Edinburgh with the rest of the cast and crew to perform Vertebra Theatre’s ‘Dark Matter’ during the final week of the Edinburgh Festival Fringe. And let me tell you, the experience did not disappoint.

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Our show managed to sell out every night. The first few nights of the week had nearly sold out before we even got to Edinburgh! Don’t ask me how we did it – we’re still not entirely sure – but I think the combination of puppetry and the subject matter of dementia went a long way. The health community did a great job in helping spread the word, as did our producer Eirini, who, when not tweeting like a mad woman, was running around Edinburgh plastering every surface she could find with our posters and flyers.

We had lovely audiences and some great four-star reviews, complimenting the puppetry and storytelling. Sadly the sight lines at the venue weren’t great for our show, as our puppet Alfie is only about three feet tall, and much of the action takes place with him sat on a low chair or standing on the ground. We did what we could to improve this, moving some of the action further upstage. You live and learn!

Dark Matter flyer

As for seeing other shows, I downloaded the Fringe app before I went and proudly announced to the team that I was the keeper of all Fringe knowledge. We got hold of a few copies of the printed guide when we arrived but, to be honest, with so many shows it was a bit overwhelming turning page after page, so I planned what to see and booked most of the shows through the app. It had a schedule function where you could add shows to your planner without buying the tickets, then decide which ones you wanted to book.

I watched nine shows during the week, a healthy number I reckon, considering I wanted to get a good dose of theatre but not empty my bank account. If I had to pick three highlights, they would be Theatre Ad Infinitum’s ‘Translunar Paradise’, ‘Losing It’ by 2theatre and Flabbergast Theatre’s ‘Boris and Sergey’s One Man Extravaganza’. Ok, one more – ‘A Heart at Sea’ by Half a String definitely deserves a mention, as it employed such beautiful and imaginative storytelling. Three of these shows were ones I’d already heard about and desperately wanted to see, but one – Losing It – was a new suggestion. Combining clowning with elements of dance, mime, puppetry and live music, this show turned out to be a very special theatrical experience indeed. It challenged me and made me question my feelings and response to what was happening in front of me.

So I survived my first Edinburgh Fringe, my sanity intact (at least until the overnight coach journey back). If we’d been performing there for the whole month I may have felt a little different by the end. I appreciate that the experience can vary greatly, depending on the quality of your digs, if it’s your own show you’re taking up or if you’ve joined a show like I did, and of course the weather (we were lucky and only had one day of proper rain). I definitely want to ‘do’ the Fringe again, and I’d like to visit the city at another point in the year to get a better feel for the place itself.

Less than a week since we got back I’m now in Bristol, checking out the delights of Bristol Festival of Puppetry. No rest for the wicked! But that’s for the next blog post…

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Half a String’s fantastic set for A Heart at Sea

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