New writing at the Scene Gym

Get a bunch of actors, writers and directors together to have a play with some new writing and you end up with a day of creativity, networking and fun.

On Friday 4th November I went along to Scene Gym, an event organised by actress Julia Taylor, the Artistic Director of Scene Gym, co-producer Tim Cook, and dramaturg and script reader Natassa Deparis. November’s ‘gym’ took place at the Old Vic Workrooms in Bermondsey and workshopped four scripts.

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The piece I was cast in was Numeratti by actress and writer Shamiso Mushambi – a fantastic script with a very relevant premise and interesting characters. I played a character called ‘4’, and had great fun playing with the childlike side of me that this character brought out. It was pretty cool having the writer in the room too, though a little nerve-wracking as I’m sure we all wanted to be true to her vision of the piece.

The other cast members included my friend Vicky Winning, who I trained with at East 15, so it was brilliant ‘working’ with her (it’s strange to call something ‘work’ when it feels much more like play!). I also loved meeting the other actors and our director. Mostly, I find actors to be such open people, willing to take creative risks and without a lot of the usual walls people have carefully built up against strangers. The generous spirit of everyone there created a positive and playful environment and reminded me why I love doing this.

It felt great to flex the old acting muscles, and was an exciting opportunity to meet fellow creative folk and hear about their experiences in the industry. Thank you Julia and team for creating Scene Gym!

Mime, puppetry and people

Last week was fantastic. I went to my first corporeal mime class, had a puppetry class at Little Angel Theatre, took part in ‘Scene Gym’ at the Old Vic Workrooms and attended a one-person storytelling workshop with Little Angel Theatre’s Artistic Director, Samantha Lane.

The mime class was taught by Vini Carvalho of Fool’s Cap Theatre, and was a pure delight. Inspired by the work of companies such as Theatre Ad Infinitum, I was looking for a good mime class when this one popped up on Facebook! We worked on opposing forces (and got very sweaty), different rhythms and learnt an offering sequence. Corporeal mime, or contemporary mime, can be used to choreograph pieces, and it felt so good to be there in a class, learning the moves and practising them in front of the mirror. That’s my comfort zone, right there! It harked back to my ballet days. Vini’s planning on teaching the class every week so it will be great to make it a regular part of my ongoing training.

In the puppetry class at Little Angel Theatre we explored motion, firstly using puppetry sticks and then going on to having a play with some cloth bunraku-style puppets. The sticks are a great tool for puppeteers to practise movement before going on to try it with the puppet itself. I am so getting me some! (Or failing that I might chop up an old broom handle.) Just always check for splinters beforehand!

Friday’s ‘Scene Gym’ was an absolute joy – a bunch of actors, directors and writers all together in a room getting to play with some brilliant new play texts. But more on that, and yesterday’s storytelling workshop, in the next two posts!

Along with the chance to be creative, what made the week really special were all the interesting people I met and had the chance to be creative with. Being in a room full of people who all want to work together and create something together gives me the biggest buzz. I love meeting new people and finding out their story, and actors in particular are generally so open and engaging. It’s also great to hear what brings non-performers to the room, for example in my puppetry class and the storytelling workshop. It’s the people that are the true joy of an actor’s life.