EN-gage Theatre Arts drama facilitator training

New company EN-gage Theatre Arts recently ran a one-day training workshop at The Edge Theatre and Arts Centre in Manchester for its band of drama facilitators, including yours truly!

EN-gage Theate Arts

The company, run by performer and facilitator Hebe Reilly, delivers drama projects in English for non-native English-speaking students. These projects are tailor-made to the school or students’ requirements, and give the young people taking part a fun and educational experience where they can practise and develop their spoken English with a native speaker, make new friends, and gain creative and life skills through drama.

I first met Hebe working on an English summer camp in Russia, and we were instantly united in our passion for sharing the joys of theatre with young people and our love of travel.

Workshop 2

The goal of the training session was to share activities and facilitation tips, but also to establish a common language and mission statement for EN-gage Theatre Arts. The company already has two drama projects in Russia under its belt, and it brings together a group of theatre professionals with a wealth of experience in teaching drama, both in the UK and abroad, but Hebe felt it was important to try to establish a set of common principles that all EN-gage practitioners share. While retaining the individual skill sets of each company member, what is it about the EN-gage experience that all clients will get when they book a project with us?

As soon as we’d done the warm-up and kicked off the session with some drama games I was filled with joy at getting to just play. I’d almost forgotten what this felt like!

Workshop 1Throughout the day we took part in group activities that involved devising and planning theatre projects in English for different age groups. This was interspersed with leading the group in various games and activities we had each prepared for the session, sharing ideas and experiences.

Training sessions like this are so important, not just for sharing knowledge (and of course having fun!), but for building a strong company where all members feel part of a whole and support one another. Acting is obviously a very social activity in itself, but leading drama workshops can be a more solitary activity, in that you’re not surrounded by your peers every day if you’re a freelancer, so it’s great to feel part of a collective.

I left the training very much having a sense of us being a team, and hope that having this support network of fellow facilitators will greatly enhance the projects I do through EN-gage Theatre Arts and my professional development as a whole.


Teaching my first puppetry workshop… in Russia!

At the English summer camp in Russia with CLASS Study and Training Centre this year we wanted to teach the students some specific theatre skills that they could use in their final devised pieces. Along with a bunch of fun drama games for team-building, firing up imaginations and encouraging creativity, I led my first puppetry workshops with the students.


The first part of the workshop involved making simple bunraku-style puppets using a method I learnt at a Little Angel Theatre inset workshop – you make simple string ‘skeletons’ (sort of stick men), then the students wrap newspaper around these and fix it in place using masking tape. In the second part of the workshop I went through a puppetry warm-up, then showed the students how to animate their newly-made puppets. We covered the main principles of puppetry, including breath, weight and focus, and I encouraged them to explore different rhythms with their puppet’s movement. In groups of mostly four – three people on the puppet and one directing, though making sure to rotate roles – they then created short sketches to perform.

I wasn’t sure how the students would respond to working with puppets, but both groups really engaged with it, and with the younger group particularly I saw students who were normally a bit disruptive suddenly become engrossed in the activity. It was fantastic to see their enthusiasm and how much they were enjoying themselves.

The short sketches they devised ranged in subject matter from a day in the life of camp to a doll coming to life when its owner’s parents had left the room, to a marriage proposal between two puppets! Kids of all ages can be so creative if just given the space to do so.

These simple puppets were a great idea to make with the students – it felt good to put into practice something I’d learnt in the workshops at Little Angel Theatre. I’m now thinking about how I could improve on the session, and how I can progress on to making slightly more complex puppets the next time I deliver a workshop. With more time, I had wanted to try some object manipulation, with the students each bringing an object of their choice to the session to animate. Maybe that’s one for next time!


Russia summer camp: teaching English through drama

This summer saw me head off to Russia again to work at a summer camp on the Black Sea for a month, running drama workshops in English.

I worked directly with CLASS Study and Training Centre this time, an English language school based in Rostov-on-Don, and there were three of us going over from England – myself, Hebe Reilly and Emily Sly, all of us East 15 graduates!

It was a fantastic experience – completely knackering but so rewarding. For the first half of camp I worked with the middle group of students, mostly aged 11, 12 and 13, then in the second half I worked with an older group of 13–16-year-olds. Both groups were wonderful – the first took a few days to settle in, so were a bit of a handful at the start, but once we were used to each other they turned out to be a very caring, creative and attentive group of kids. Being that bit older, and most of them having been to camp before, my second group of students were ready to get on with the work in our sessions right from day one. Check out the Facebook page we created for this year’s camp to see photos and videos of what we got up to in the sessions. My thanks to the wonderful Drama Menu book for some new games and activity ideas that I put to good use this year.


My second group with their camp certificates

The camp sits on the coast of the Black Sea, not far from Nebug, nestled between imposing hills carpeted with trees and a beautiful watery horizon stretching off into the distance. Looking out to sea from the fourth floor balcony in the main accommodation building, the view is breathtaking – such a huge expanse of space, the blue sea below, the blue sky above.

Like last year, the students devised their own pieces to perform to the rest of the CLASS group at camp. The theme of this year’s camp was jobs, and each day a different job or area of work was explored through the ‘quests’ the teachers prepared for the students. I used this theme with my first group and asked them to choose a job to create a piece of theatre about, looking at a day in the life of someone doing that job. As is so often the case when working with children, the results were not quite what I expected – we certainly had some unusual job titles come up, and not so much a day as six months in the life, but it was the students’ work, not mine, and that was the important thing.

With the second group I decided to try a different approach, and rather than just leaving them to their own devices I came up with the idea of creating a sort of news programme with two presenters and a variety of shows contained within it. I asked two students if they would like to be the presenters, then mostly gave the rest of them the option of creating a news report, a film trailer or a commercial. The key element here was that we were focusing on good news – this started with a group discussion early on in the process about the phrase ‘no news is good news’, looking at how so much of the news we consume focuses on negative events. We wanted to highlight the positive things happening in the world and the more positive side of human nature, from the serious to the slapstick. In the end we had a mixed tone to the overall piece, with a news report on a utopian version of camp (where the kids had ‘loud hour’ instead of quiet hour, they could get up at whatever time they wanted, and they got to eat bacon and eggs for breakfast), a quiz show, a puppet weather report, a chat show with a message about valuing how a person is on the inside, and a film première.

I felt so proud of both groups and the amazing pieces they created. They say that a great teacher inspires their students, but every time I work with a new group of children, whether 7 or 17, I find that they are the ones inspiring me. Their ideas, their energy and enthusiasm, the questions they ask, the way they approach a problem and find a solution, all of this makes me see the world differently, through their eyes, and I realise I have just as much to (re)learn from them as they have to learn from me. This is why I do camp. The beach is a draw, as is the wonderful team of teachers I get to work with out there, who make camp such a special experience for everyone, but the main reason I do it is the kids. They make it one of the most rewarding experiences of my life.