Australia was never on my list of must-see places (recovering arachnophobe here!). Flabbergast Theatre were definitely on my list of must-work-with companies. Recently I found myself performing with Flabbergast at Fringe World in Australia, so I had the chance to experience both.
Fringe World Festival, in Perth, is the third largest Fringe in the world, and struck me as a world apart (literally) from the infamous Edinburgh Fringe. It’s definitely quieter, which may explain why it seems friendlier. Without the equal parts intimidating and exhilarating swarm of people that you find at Edinburgh, you get the chance to get to know people better, including your venue staff. We also received a free artist’s pass that got us into any show, provided there were seats left once the paying punters had gone in, so over two weeks of seeing shows I didn’t pay for a single ticket. The money saved on tickets, however, was offset by the ridiculously expensive beer – around 8 quid for a pint! And we’re not talking Corona here.
We performed Boris and Sergey, a cabaret-style adult puppetry show about two brothers from somewhere in Eastern Europe (the accents tend to wander), at a lovely little venue called The Shambles. The show contains scripted scenes but allows for a healthy dose of improvisation around that, meaning no two shows are ever completely the same. An element of audience participation adds to the fun and keeps us on our toes.
I animated Boris’ feet (he’s the one with the furry belly) and had a wicked time, from perfecting a tap dance routine, to figuring out the moonwalk with two tiny leather feet, to mastering a fight sequence. The choreographic element appealed to the dancer in me, and I was in my element with the physical demands of the show.
I first saw Flabbergast perform with Boris and Sergey at Edinburgh Fringe last year and I loved the show so much, so every night in Perth I was simmering with excitement as I waited backstage for the music to begin. I’d seen the show as an audience member, and now I was actually in it! Yeaaahhhhhh!!
Throughout the run my puppetry improvisation skills increased massively. I’d already worked with Douglas Rutter, the puppeteer on Boris’ head, on a previous job, so working with him again felt perfectly natural, even with a very different kind of puppet. The rest of the troupe are all fantastic artists in their own right, and I learnt a great deal working with them. I also made some lovely new friends on the other side of the world, and got to see a lot of theatre that I wouldn’t normally have chosen to see – burlesque, stand-up, cabaret – thus broadening my experience of the possibilities of performance art.
So my adventure down under was twofold: a chance to experience a new country so many miles away from my own, and the opportunity to be part of a truly brilliant show while developing further as a puppeteer. Yet another opportunity to travel and see the world while doing what I love! Amidst the endless loan repayments, the uncertainty and rejection, it’s the precious experiences like this that remind me I made the right decision to forge this path in my life.
Images credit: Karen Lowe